2007Journal of Dalian UniversityRequires access

On the Secular Tang in the Nature Outlook in Chinese Landscape Painting

Qiu Qiao

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Abstract

The spirit of being content with the status quo in traditional Chinese culture has great influences on Chinese landscape painting. The visual perspective,painting taste,and art aspiration manifested in the landscape painting are related to each other.In addition to landscape painting's inborn features,they also show that the art of landscape painting is bound to be permeated with the secular tang when it echoes with traditional Chinese culture in the background of harmony of man with as the essence of nature outlook.

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The spirit of being content with the status quo in traditional Chinese culture has great influences on Chinese landscape painting. The visual perspective,painting taste,and art aspiration manifested in the landscape painting are related to each other.In addition to landscape painting's inborn features,they also show that the art of landscape painting is bound to be permeated with the secular tang when it echoes with traditional Chinese culture in the background of harmony of man with as the essence of nature outlook.

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Available abstract

The spirit of being content with the status quo in traditional Chinese culture has great influences on Chinese landscape painting. The visual perspective,painting taste,and art aspiration manifested in the landscape painting are related to each other.In addition to landscape painting's inborn features,they also show that the art of landscape painting is bound to be permeated with the secular tang when it echoes with traditional Chinese culture in the background of harmony of man with as the essence of nature outlook.

Key concepts: Landscape painting, Painting, Taste, Harmony (color), Status quo, Perspective (graphical), Aesthetics, Art

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