The concept of taste and the aesthetics modernity of China
LU Hong-bo
Abstract
LU Hong-bo
Abstract
In the west,the taste comes from sense of taste.When taste comes into Aesthetics,it indicates that the modern aesthetics appeared.In Chinese culture,the category of taste means aesthetic appreciating ever since its earlier period.But as a matter of fact,the concept in Chinese is still not a modern aesthetic category.The concept of taste implies that it has the meaning of modern humanism,which must be founded on the architectural basis of modernity.Therefore,the taste,the Chinese classical aesthetics category,require modern transition.Only by this,can it really become a modern aesthetic category.Liang Qichao defined the category on the background of modernity,thus becoming the transition of this category.Zhu Guangqian synthesized the category of the ancient and modern meaning,the western and Chinese meaning.With their efforts,taste became a modern aesthetic category.
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In the west,the taste comes from sense of taste.When taste comes into Aesthetics,it indicates that the modern aesthetics appeared.In Chinese culture,the category of taste means aesthetic appreciating ever since its earlier period.But as a matter of fact,the concept in Chinese is still not a modern aesthetic category.The concept of taste implies that it has the meaning of modern humanism,which must be founded on the architectural basis of modernity.Therefore,the taste,the Chinese classical aesthetics category,require modern transition.Only by this,can it really become a modern aesthetic category.Liang Qichao defined the category on the background of modernity,thus becoming the transition of this category.Zhu Guangqian synthesized the category of the ancient and modern meaning,the western and Chinese meaning.With their efforts,taste became a modern aesthetic category.
Key concepts: Taste, Aesthetics, Modernity, Meaning (existential), China, Humanism, Period (music), Philosophy