2002•Journal of Wuyi UniversityRequires access
On Mao Zong-gang's Use of Traditional Chinese Drama and Opera Termsin his Fiction Review
DU Qingbo
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Abstract
In his fiction review, Mao Zong-gang borrows some aesthetic terms like Guangmu, Ke (stage directions) and Shousha from traditional Chinese drama and opera. Mao's use of these drama and opera terms in a half conscious way indicates that fiction and drama and opera have shared cultural connotation and that drama and opera can interpret fiction across time and space.