On the transformative technique of Chinese poem
Feng Wen-min
Abstract
Feng Wen-min
Abstract
China is a nation of poetry. For thousands of years, people have been appreciating poetry, researching and probing into creative technique and artistic forms, while one of unique artistic form implied in the process of poetry creation, the transfiguration of poem language, is overlooked. Like modern photography, this kind of artistic technique, on the basis of the author’s creative intention, fulfills the time-pace change, illusion-actuality change and person-thing change by way of adjusting aperture and focus. Therefore, various particularly artistic visions show forth in the poet’s writing. In these vivid pictures, the profound connotations are contained, which bring the readers greater emotional shocks. Therefore, we should attach great importance on the beauty of transfiguration while appreciating poetry, and then really grasp the true and unique artistic charm of one poem.
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China is a nation of poetry. For thousands of years, people have been appreciating poetry, researching and probing into creative technique and artistic forms, while one of unique artistic form implied in the process of poetry creation, the transfiguration of poem language, is overlooked. Like modern photography, this kind of artistic technique, on the basis of the author’s creative intention, fulfills the time-pace change, illusion-actuality change and person-thing change by way of adjusting aperture and focus. Therefore, various particularly artistic visions show forth in the poet’s writing. In these vivid pictures, the profound connotations are contained, which bring the readers greater emotional shocks. Therefore, we should attach great importance on the beauty of transfiguration while appreciating poetry, and then really grasp the true and unique artistic charm of one poem.
Key concepts: Poetry, Vision, Transformative learning, Illusion, Aesthetics, Beauty, Art, Pace