Transition and Circulation Evolution of Artistic Conception in Chinese Traditional Garden
Xia Y
Abstract
Xia Y
Abstract
Artistic is based on the imagery thinking to make a blending between objective objects and subjective which is the highest pursuit of the Chinese traditional garden. By studying Chinese traditional way of thinking, the article proposes the mode of cycle process in traditional Chinese garden conception. In the context of traditional culture, landscape creation and perception show a typical way of circulation evolution which bases on the main idea of the objects and including output, input and feedback process. Owing to the historical development the change of the objects and and its ways of output and input result in aesthetic conception transition. By studying relevant factors of transition is beneficial to the development of traditional landscape artistic conception in the context of contemporary society.
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Artistic is based on the imagery thinking to make a blending between objective objects and subjective which is the highest pursuit of the Chinese traditional garden. By studying Chinese traditional way of thinking, the article proposes the mode of cycle process in traditional Chinese garden conception. In the context of traditional culture, landscape creation and perception show a typical way of circulation evolution which bases on the main idea of the objects and including output, input and feedback process. Owing to the historical development the change of the objects and and its ways of output and input result in aesthetic conception transition. By studying relevant factors of transition is beneficial to the development of traditional landscape artistic conception in the context of contemporary society.
Key concepts: Transition (genetics), Landscape architecture, Context (archaeology), Aesthetics, Perception, Process (computing), Circulation (fluid dynamics), Mode (computer interface)