2005Journal of Zhenjiang CollegeRequires access

Chinese painting and modern structure

Gao Ding-kun

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Abstract

Chinese painting has developed into a systematic model.Inheritting and innovating,abandoning and borrowing are the basic attitudes toward the art of Chinese painting.Chinese traditional skills in painting are analyzed while western modern structure is studied so that different styles of painting can be combined and a new style will be embodied in Chinese traditinal painting.

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Chinese painting has developed into a systematic model.Inheritting and innovating,abandoning and borrowing are the basic attitudes toward the art of Chinese painting.Chinese traditional skills in painting are analyzed while western modern structure is studied so that different styles of painting can be combined and a new style will be embodied in Chinese traditinal painting.

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Available abstract

Chinese painting has developed into a systematic model.Inheritting and innovating,abandoning and borrowing are the basic attitudes toward the art of Chinese painting.Chinese traditional skills in painting are analyzed while western modern structure is studied so that different styles of painting can be combined and a new style will be embodied in Chinese traditinal painting.

Key concepts: Painting, Chinese painting, Style (visual arts), Embodied cognition, Art, Visual arts, Chinese art, China

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