2005Journal of Xiamen UniversityRequires access

The Aesthetics Meaning of Wang Bi's "Non-being"

LI Chang-sh

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Abstract

The essence of Wang Bi's philosophy is non-being. The meaning of non-being makes the awakening of man possible, and furthermore, makes the awakening of literature and arts possible. Mood, as a core concept in Chinese aesthetics, has transcendence from concrete to abstract, from existence to non-existence and from finite to infinite. It also has a character of non-being and there must be an inner connection between them. The experience of non-being, as part of Wang's philosophy, has inner influence on the experience of beauty.

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The essence of Wang Bi's philosophy is non-being. The meaning of non-being makes the awakening of man possible, and furthermore, makes the awakening of literature and arts possible. Mood, as a core concept in Chinese aesthetics, has transcendence from concrete to abstract, from existence to non-existence and from finite to infinite. It also has a character of non-being and there must be an inner connection between them. The experience of non-being, as part of Wang's philosophy, has inner influence on the experience of beauty.

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Available abstract

The essence of Wang Bi's philosophy is non-being. The meaning of non-being makes the awakening of man possible, and furthermore, makes the awakening of literature and arts possible. Mood, as a core concept in Chinese aesthetics, has transcendence from concrete to abstract, from existence to non-existence and from finite to infinite. It also has a character of non-being and there must be an inner connection between them. The experience of non-being, as part of Wang's philosophy, has inner influence on the experience of beauty.

Key concepts: Transcendence (philosophy), Meaning (existential), Aesthetics, Character (mathematics), The arts, Beauty, Aesthetic experience, Connection (principal bundle)

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