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On the Structural Features of the 3~(rd) Movement in Mozart Piano Sonata in D Major,K.576

Li K

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Abstract

Wolfgang Amadeus Mozart(1756~1791) is a well-known exponent of a golden era of the Classicalism,and his piano work is recognized as the most difficult performance in all of the composers.The main problem is to grasp the style correctly.The article discussed the 3rdmovement of Mozart last work Piano Sonata in D Major,K.576 from two aspects: the music form structure and music representation.The writer tried to analyze the piano work systematically from the rationality to sensibility,from immanency to externality.

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Wolfgang Amadeus Mozart(1756~1791) is a well-known exponent of a golden era of the Classicalism,and his piano work is recognized as the most difficult performance in all of the composers.The main problem is to grasp the style correctly.The article discussed the 3rdmovement of Mozart last work Piano Sonata in D Major,K.576 from two aspects: the music form structure and music representation.The writer tried to analyze the piano work systematically from the rationality to sensibility,from immanency to externality.

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Available abstract

Wolfgang Amadeus Mozart(1756~1791) is a well-known exponent of a golden era of the Classicalism,and his piano work is recognized as the most difficult performance in all of the composers.The main problem is to grasp the style correctly.The article discussed the 3rdmovement of Mozart last work Piano Sonata in D Major,K.576 from two aspects: the music form structure and music representation.The writer tried to analyze the piano work systematically from the rationality to sensibility,from immanency to externality.

Key concepts: MOZART, Piano, Piano sonata, Sensibility, Sonata form, Art, Sonata cycle, Movement (music)

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