On Writing Features of Literature History——take the revision of the mainland poetry of History of Chinese Contemporary Poetry for example
Lei Feng
Abstract
Lei Feng
Abstract
Dating back to 1980s,rewriting literary has become one of the hot issues,and it attracts much attention from the academc field,which in return brings about dozens of works about history and revisions.Rewriting literary history is undoubtedly embodied by words,and in that sense,it can be regarded as a text activity.Writing leads to the unfaithfulness as well as a possibility of revising.By comparing two versions of History of Chinese Contemporary New Poetry,this thesis aims to probe into some questions that appear in the literary history writing,such as time versus history,and contradictions between literary and history.In such a way,the writer intends to pursue an insight into the present literary history writing,thus providing several questions for discussion to the literary history,especially for poetry history writing.
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Dating back to 1980s,rewriting literary has become one of the hot issues,and it attracts much attention from the academc field,which in return brings about dozens of works about history and revisions.Rewriting literary history is undoubtedly embodied by words,and in that sense,it can be regarded as a text activity.Writing leads to the unfaithfulness as well as a possibility of revising.By comparing two versions of History of Chinese Contemporary New Poetry,this thesis aims to probe into some questions that appear in the literary history writing,such as time versus history,and contradictions between literary and history.In such a way,the writer intends to pursue an insight into the present literary history writing,thus providing several questions for discussion to the literary history,especially for poetry history writing.
Key concepts: Poetry, History of literature, Literature, Rewriting, Embodied cognition, History, Literary science, Literary criticism