On the Singing Art in Two-dimensional Perspective——A Reunderstanding of the Singing Art from Ontological Perspective
Ce Zhang
Abstract
Ce Zhang
Abstract
At present,musical performance is the most widely genre that is accepted by the public in their musical production and consumption.More specifically,singing art is not merely confined to its traditional form any more.On the contrary,singing art should combine performance art and singing art.Only through this,singing art would reach its perfect state.This new trend in singing art field,which mainly is promoted by the development of audio-visual technology and the improvement of public music appreciation,requires us professional persons to reconsider our singing art in traditional form theoretically as well as practically.In this article,singing art has been re-examined ontologically and then,the combination of singing art and performance art has been discussed from singing and performing perspectives.
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At present,musical performance is the most widely genre that is accepted by the public in their musical production and consumption.More specifically,singing art is not merely confined to its traditional form any more.On the contrary,singing art should combine performance art and singing art.Only through this,singing art would reach its perfect state.This new trend in singing art field,which mainly is promoted by the development of audio-visual technology and the improvement of public music appreciation,requires us professional persons to reconsider our singing art in traditional form theoretically as well as practically.In this article,singing art has been re-examined ontologically and then,the combination of singing art and performance art has been discussed from singing and performing perspectives.
Key concepts: Singing, Musical, Perspective (graphical), Aesthetics, Field (mathematics), Vocal music, Art, Visual arts