An Initial Study on the Instrumental Music of Mongolian Buddhism & the Music of “Jingxiangyue”
Bao Darhan
Abstract
Bao Darhan
Abstract
After Tibetan Buddhism went into Mongolian districts, Mongolian Buddhism was born and evolved in the interactions between Tibetan Buddhism and Mongolian own culture. The musical culture of Mongolian Buddhism includes abundant cultural points, and “Jingxiangyue” is one of the instrumental musical forms about Mongolian Buddhism. “Jingxiangyue” has been formed during the progress of folk religious musical interchanges and communications between Mongolia and Han nationality. “Jingxiangyue” is an instrumental music performed by lamas in folk funeral affairs, which instruments includes sheng, reed pipes, flutes, suona horns, drums, cha,Cymbals and est. “Jingxiangyue” has a set of playing melodies. [
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After Tibetan Buddhism went into Mongolian districts, Mongolian Buddhism was born and evolved in the interactions between Tibetan Buddhism and Mongolian own culture. The musical culture of Mongolian Buddhism includes abundant cultural points, and “Jingxiangyue” is one of the instrumental musical forms about Mongolian Buddhism. “Jingxiangyue” has been formed during the progress of folk religious musical interchanges and communications between Mongolia and Han nationality. “Jingxiangyue” is an instrumental music performed by lamas in folk funeral affairs, which instruments includes sheng, reed pipes, flutes, suona horns, drums, cha,Cymbals and est. “Jingxiangyue” has a set of playing melodies. [
Key concepts: Buddhism, Flute, Melody, Instrumental music, Nationality, Musical, Folk song, Han nationality