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2004•Journal of YunmengRequires access

WORDSWORTH'S POETICAL ON TOLOGICAL RECOGNITION OF PLEASURE AND CHINESE QIONGGONG POETICS

Zhang Wen-chu

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Abstract

Preface to lyrical ballads by Wordsworth makes a comprehensive statement that pleasure is the origin of poems. This view as confirms the ontological importance of feeling in poems as Qionggong poetics, one of ancient Chinese thoughts for poem, does. Qionggong poetics advocated mainly by Hanyu and Ouyangxiu, means that sorrow is the origin of poems. The difference between Wordsworth's poetics and Qionggong poetics is that Wordsworth's poetical subject craves for the transcendence of truth, love and beauty, while the subject of Qionggong poetics keeps focal awareness on the utilitarian existence.

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What this paper is about

Preface to lyrical ballads by Wordsworth makes a comprehensive statement that pleasure is the origin of poems. This view as confirms the ontological importance of feeling in poems as Qionggong poetics, one of ancient Chinese thoughts for poem, does. Qionggong poetics advocated mainly by Hanyu and Ouyangxiu, means that sorrow is the origin of poems. The difference between Wordsworth's poetics and Qionggong poetics is that Wordsworth's poetical subject craves for the transcendence of truth, love and beauty, while the subject of Qionggong poetics keeps focal awareness on the utilitarian existence.

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Available abstract

Preface to lyrical ballads by Wordsworth makes a comprehensive statement that pleasure is the origin of poems. This view as confirms the ontological importance of feeling in poems as Qionggong poetics, one of ancient Chinese thoughts for poem, does. Qionggong poetics advocated mainly by Hanyu and Ouyangxiu, means that sorrow is the origin of poems. The difference between Wordsworth's poetics and Qionggong poetics is that Wordsworth's poetical subject craves for the transcendence of truth, love and beauty, while the subject of Qionggong poetics keeps focal awareness on the utilitarian existence.

Key concepts: Poetics, Pleasure, Poetry, Literature, Sorrow, Transcendence (philosophy), Subject (documents), Philosophy

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