Complementation of Confucianism and Taoism Reflected in Han Dynasty's Painting
Chunyan Li
Abstract
Chunyan Li
Abstract
Chinese traditional painting art is influenced differently by aesthetic thought of Confucianism and Taoism in different times.The paintings in Han dynasty with their broadness and simplicity,ritual and natural blend,and varied spatial and temporal change reflect the blend and complementation of Confucianism and Taoism.The mysterious and tangible aesthetic sense behind the painting in Han dynasty can be revealed by analyzing reflected aesthetic thoughts.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
Chinese traditional painting art is influenced differently by aesthetic thought of Confucianism and Taoism in different times.The paintings in Han dynasty with their broadness and simplicity,ritual and natural blend,and varied spatial and temporal change reflect the blend and complementation of Confucianism and Taoism.The mysterious and tangible aesthetic sense behind the painting in Han dynasty can be revealed by analyzing reflected aesthetic thoughts.
Key concepts: Taoism, Painting, Simplicity, Chinese painting, Art, Aesthetics, Complementation, Literature