2009•Journal of Nanchang UniversityRequires access

The Music Model in Canton's Bibitory Ceremony in the Zhou Dynasty——A Disgussion of the People's Aesthetic Perception

Liu Jian-ting

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Abstract

The canton's bibitory ceremony is one of the most popular ceremonies in the Zhou Dynasty.Its purpose is to emphasize the graded institution.The musical parts in the ceremony have been arranged strictly and both the form and the melodies in every portion contained profound political meanings,which have uncovered the governer's purposes.This article describes the musical forms in the canton's bibitory ceremony,and then explains the outstanding distinctions between rating and proves that music had abundant contents at this situation.Besides,there are subtle relationships between the canton's bibitory ceremony,music and class-domination.

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The canton's bibitory ceremony is one of the most popular ceremonies in the Zhou Dynasty.Its purpose is to emphasize the graded institution.The musical parts in the ceremony have been arranged strictly and both the form and the melodies in every portion contained profound political meanings,which have uncovered the governer's purposes.This article describes the musical forms in the canton's bibitory ceremony,and then explains the outstanding distinctions between rating and proves that music had abundant contents at this situation.Besides,there are subtle relationships between the canton's bibitory ceremony,music and class-domination.

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Available abstract

The canton's bibitory ceremony is one of the most popular ceremonies in the Zhou Dynasty.Its purpose is to emphasize the graded institution.The musical parts in the ceremony have been arranged strictly and both the form and the melodies in every portion contained profound political meanings,which have uncovered the governer's purposes.This article describes the musical forms in the canton's bibitory ceremony,and then explains the outstanding distinctions between rating and proves that music had abundant contents at this situation.Besides,there are subtle relationships between the canton's bibitory ceremony,music and class-domination.

Key concepts: Ceremony, Melody, Musical, Politics, Art, Perception, Musical form, Institution

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