2012•Jinyang XuekanRequires access

A Textual Research and an Explanation on the Ode to Revival of the Tang Dynasty

Deng Xiao-jun

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Abstract

YUAN Jie wrote the Ode to Revival of Tang Dynasty.It eulogized the achievement of putting down An Lushan rebellion and recovering two capitals.Also it exposed the truth of political change during the reign of emperors Xuanzong and Suzong and exposed Suzong's unfilial piety in implicit words.It was an ode which contained irony of emperor with dripping strength and deep lasting appeal.YANG Zhen-qing's calligraphic works of the Ode to Revival of Tang Dynasty put the type of formal writing on the left.It implied the filial piety and coordinated YUAN Jie in degrading the emperor's unfilial piety.It was of great momentum.It was a creative profound handwriting.Both works were an creative entirety and were indivisible.

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YUAN Jie wrote the Ode to Revival of Tang Dynasty.It eulogized the achievement of putting down An Lushan rebellion and recovering two capitals.Also it exposed the truth of political change during the reign of emperors Xuanzong and Suzong and exposed Suzong's unfilial piety in implicit words.It was an ode which contained irony of emperor with dripping strength and deep lasting appeal.YANG Zhen-qing's calligraphic works of the Ode to Revival of Tang Dynasty put the type of formal writing on the left.It implied the filial piety and coordinated YUAN Jie in degrading the emperor's unfilial piety.It was of great momentum.It was a creative profound handwriting.Both works were an creative entirety and were indivisible.

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Available abstract

YUAN Jie wrote the Ode to Revival of Tang Dynasty.It eulogized the achievement of putting down An Lushan rebellion and recovering two capitals.Also it exposed the truth of political change during the reign of emperors Xuanzong and Suzong and exposed Suzong's unfilial piety in implicit words.It was an ode which contained irony of emperor with dripping strength and deep lasting appeal.YANG Zhen-qing's calligraphic works of the Ode to Revival of Tang Dynasty put the type of formal writing on the left.It implied the filial piety and coordinated YUAN Jie in degrading the emperor's unfilial piety.It was of great momentum.It was a creative profound handwriting.Both works were an creative entirety and were indivisible.

Key concepts: Emperor, Ode, Filial piety, Reign, Literature, Appeal, Irony, Philosophy

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