Literarily-creative-consciousness began Pre-Qin dynasty
Liu Huan
Abstract
Liu Huan
Abstract
One thought on the proposition when the Chinese-traditional-literary-creation-consciousness begins is that there are two times;one before the Qin dynasty which is regarded as without any consciousness in the literary production,another after the WeiJin dynasty which is considered to be in the strong consciousness in the literary production.Strong view on this issue from the author is that not only in the pre-Qin dynasty′s literary but also in the post-WeiJin dynasty′s literary,no difference exists both in its contents and expressions,the only distinctness on it is the different aesthetic views from the critics-for the pre-Qins′,Confucian aesthetic plays a leading role,meanwhile causing some distorted explanation and description in that contemporary literary,which comes from some analysis on the ancient literature and the method on the study of basis-literary-creation.
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One thought on the proposition when the Chinese-traditional-literary-creation-consciousness begins is that there are two times;one before the Qin dynasty which is regarded as without any consciousness in the literary production,another after the WeiJin dynasty which is considered to be in the strong consciousness in the literary production.Strong view on this issue from the author is that not only in the pre-Qin dynasty′s literary but also in the post-WeiJin dynasty′s literary,no difference exists both in its contents and expressions,the only distinctness on it is the different aesthetic views from the critics-for the pre-Qins′,Confucian aesthetic plays a leading role,meanwhile causing some distorted explanation and description in that contemporary literary,which comes from some analysis on the ancient literature and the method on the study of basis-literary-creation.
Key concepts: Consciousness, Proposition, Literature, Chinese literature, Philosophy, History, Aesthetics, Literary science