The Research of Music Songs in Han Dynasty during Yuan,Ming and Qing Dynasty
Zhao Ming-zheng
Abstract
Zhao Ming-zheng
Abstract
The research on the content of the music songs in Han Dynasty is restricted by the conventional Confucian concept during Yuan, Ming and Qing Dynasty. It has the defect of being farfetched and detailed in textual research since they explain poems by boxing means. The research is constrained by old theory since they seek the transcendental rule from developed artistic concept in later periods in artistic form. The music songs in Han Dynasty become the classic in the eyeshot of the poem commenter. The criticism on epic comes into being. There is plentiful production that exceeds the summation of the research in past dynasties. It takes on the synthesized style and features since it gathers different theories together. It is the sum-up periods of the research of the music songs in Han Dynasty.
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The research on the content of the music songs in Han Dynasty is restricted by the conventional Confucian concept during Yuan, Ming and Qing Dynasty. It has the defect of being farfetched and detailed in textual research since they explain poems by boxing means. The research is constrained by old theory since they seek the transcendental rule from developed artistic concept in later periods in artistic form. The music songs in Han Dynasty become the classic in the eyeshot of the poem commenter. The criticism on epic comes into being. There is plentiful production that exceeds the summation of the research in past dynasties. It takes on the synthesized style and features since it gathers different theories together. It is the sum-up periods of the research of the music songs in Han Dynasty.
Key concepts: Style (visual arts), Poetry, Literature, Transcendental number, EPIC, Classical Chinese poetry, China, Criticism