The Structure and Meaning of Wang Guowei's Humanism-Art Aesthetics
Xia Zhong-y
Abstract
Xia Zhong-y
Abstract
I206.2The thesis holds that Wang Guowei established the Chinese humanism-art aesthetics, which is an excellent combination of western and eastern culture and that of traditional and modern Chinese culture. As a quasi-systematic structure, it consists of four parts, On Talent, On Futility, On Elegance, On Realm of Thought. His recreation is reflected throughout every part of his aesthetics works, where he stated his depression, wretched beauty and consciousness. The academic meaning of the humanism-art aesthetics lies in human consciousness andindependence. So Wang Guowei's influence on the modern Chinese aesthetics and the trend of the relationship between western and Chinese aesthetics will be more clearly shown.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
I206.2The thesis holds that Wang Guowei established the Chinese humanism-art aesthetics, which is an excellent combination of western and eastern culture and that of traditional and modern Chinese culture. As a quasi-systematic structure, it consists of four parts, On Talent, On Futility, On Elegance, On Realm of Thought. His recreation is reflected throughout every part of his aesthetics works, where he stated his depression, wretched beauty and consciousness. The academic meaning of the humanism-art aesthetics lies in human consciousness andindependence. So Wang Guowei's influence on the modern Chinese aesthetics and the trend of the relationship between western and Chinese aesthetics will be more clearly shown.
Key concepts: Aesthetics, Humanism, Beauty, Realm, Meaning (existential), Consciousness, Elegance, Chinese culture