2011Xi'an Gongcheng Keji Xueyuan xuebaoRequires access

The cultural spirit and aesthetic implication of the twelve-stamp pattern of ancient Chinese clothing

Lan Yu

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Abstract

The restrictive functions of political factors and cultural perceptions are investigated on the clothing design in Chinese clothing development.Based on historical evidence and theoretical reasoning,combined with Chinese culture and traditional aesthetic concepts,the origin and development of the twelve-stamp pattern are illustrated.It is concluded that the patterns of traditional Chinese clothing are the combination of the concept of patriarchal clan system and cultural and aesthetic factors.

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What this paper is about

The restrictive functions of political factors and cultural perceptions are investigated on the clothing design in Chinese clothing development.Based on historical evidence and theoretical reasoning,combined with Chinese culture and traditional aesthetic concepts,the origin and development of the twelve-stamp pattern are illustrated.It is concluded that the patterns of traditional Chinese clothing are the combination of the concept of patriarchal clan system and cultural and aesthetic factors.

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Available abstract

The restrictive functions of political factors and cultural perceptions are investigated on the clothing design in Chinese clothing development.Based on historical evidence and theoretical reasoning,combined with Chinese culture and traditional aesthetic concepts,the origin and development of the twelve-stamp pattern are illustrated.It is concluded that the patterns of traditional Chinese clothing are the combination of the concept of patriarchal clan system and cultural and aesthetic factors.

Key concepts: Clothing, Clan, Aesthetics, Politics, Perception, Sociology, History, Art

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