Three Attitudes towards Practical Aesthetics:Adherence,Development and Innovation
Xiao Jian-hua
Abstract
Xiao Jian-hua
Abstract
The presence of practical aesthetics is theoretically and historically significant. The attitude towards traditional practical aesthetics can be classified into three types:adhering it,developing it and innovating it. Traditional practical aesthetics is criticized and innovated in the Neo practical aesthetics and post aesthetics. The notion of intersubjectivity in practical aesthetics proposed by Yang Chun-shi is uniquely representing the direction of modern aesthetics beyond classical Chinese aesthetics.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
The presence of practical aesthetics is theoretically and historically significant. The attitude towards traditional practical aesthetics can be classified into three types:adhering it,developing it and innovating it. Traditional practical aesthetics is criticized and innovated in the Neo practical aesthetics and post aesthetics. The notion of intersubjectivity in practical aesthetics proposed by Yang Chun-shi is uniquely representing the direction of modern aesthetics beyond classical Chinese aesthetics.
Key concepts: Aesthetics, Intersubjectivity, Everyday Aesthetics, Art, Sociology, Philosophy, Epistemology