2009Yindu JournalRequires access

Three Attitudes towards Practical Aesthetics:Adherence,Development and Innovation

Xiao Jian-hua

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Abstract

The presence of practical aesthetics is theoretically and historically significant. The attitude towards traditional practical aesthetics can be classified into three types:adhering it,developing it and innovating it. Traditional practical aesthetics is criticized and innovated in the Neo practical aesthetics and post aesthetics. The notion of intersubjectivity in practical aesthetics proposed by Yang Chun-shi is uniquely representing the direction of modern aesthetics beyond classical Chinese aesthetics.

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What this paper is about

The presence of practical aesthetics is theoretically and historically significant. The attitude towards traditional practical aesthetics can be classified into three types:adhering it,developing it and innovating it. Traditional practical aesthetics is criticized and innovated in the Neo practical aesthetics and post aesthetics. The notion of intersubjectivity in practical aesthetics proposed by Yang Chun-shi is uniquely representing the direction of modern aesthetics beyond classical Chinese aesthetics.

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Available abstract

The presence of practical aesthetics is theoretically and historically significant. The attitude towards traditional practical aesthetics can be classified into three types:adhering it,developing it and innovating it. Traditional practical aesthetics is criticized and innovated in the Neo practical aesthetics and post aesthetics. The notion of intersubjectivity in practical aesthetics proposed by Yang Chun-shi is uniquely representing the direction of modern aesthetics beyond classical Chinese aesthetics.

Key concepts: Aesthetics, Intersubjectivity, Everyday Aesthetics, Art, Sociology, Philosophy, Epistemology

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