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2005•Journal of Jining Teachers' CollegeRequires access

A Study on the Rhyming System in KuangLu' s Poem

XU Manman

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Abstract

KuangLu was an outstanding poet of Ming Dynasty in Nan-hai.The rhymesin his Classic Style Poetry can be devided into eighteen sections,among which thirteenare in level tone.The phenomenon of rising tone and falling tone mutully-rhymed is notunusual and the rhymes are varoius.The remaining five sections are in entering tone,with-p,-t,-k tail vowel completely kept.The rhymes of his Modern Style Poetry are regularand devided into sixteen sections.But there are still some Unfit-rhymes andBorrowed-rhymes,and special rhymes remained.

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KuangLu was an outstanding poet of Ming Dynasty in Nan-hai.The rhymesin his Classic Style Poetry can be devided into eighteen sections,among which thirteenare in level tone.The phenomenon of rising tone and falling tone mutully-rhymed is notunusual and the rhymes are varoius.The remaining five sections are in entering tone,with-p,-t,-k tail vowel completely kept.The rhymes of his Modern Style Poetry are regularand devided into sixteen sections.But there are still some Unfit-rhymes andBorrowed-rhymes,and special rhymes remained.

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Available abstract

KuangLu was an outstanding poet of Ming Dynasty in Nan-hai.The rhymesin his Classic Style Poetry can be devided into eighteen sections,among which thirteenare in level tone.The phenomenon of rising tone and falling tone mutully-rhymed is notunusual and the rhymes are varoius.The remaining five sections are in entering tone,with-p,-t,-k tail vowel completely kept.The rhymes of his Modern Style Poetry are regularand devided into sixteen sections.But there are still some Unfit-rhymes andBorrowed-rhymes,and special rhymes remained.

Key concepts: Tone (literature), Poetry, Style (visual arts), Literature, Art, History

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