2004•Journal of Yantai UniversityRequires access

The Extreme and Limit of the Model Deconstructing ——An Overview of the Narration About the Minguo Times in Contemporary Chinese Novels

Ren Xian-pin

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Abstract

The introduction and importation of the contemporary western historical concept, the extension and deviousness of the history journey and the writers' personal experience impelled the writers of the new generation to abandon the concept of the history and literature that they had had, and overwhelmed the classical mode of the narration about the Minguo times completely. They broke the class boundary, released the personal desires, emphasized the accident in their novels.At the same time,they also tried to show the subjectivity of historical narration by different type of exploration.But the deconstruction was confined by the inherent gradation of the prior text.

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The introduction and importation of the contemporary western historical concept, the extension and deviousness of the history journey and the writers' personal experience impelled the writers of the new generation to abandon the concept of the history and literature that they had had, and overwhelmed the classical mode of the narration about the Minguo times completely. They broke the class boundary, released the personal desires, emphasized the accident in their novels.At the same time,they also tried to show the subjectivity of historical narration by different type of exploration.But the deconstruction was confined by the inherent gradation of the prior text.

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Available abstract

The introduction and importation of the contemporary western historical concept, the extension and deviousness of the history journey and the writers' personal experience impelled the writers of the new generation to abandon the concept of the history and literature that they had had, and overwhelmed the classical mode of the narration about the Minguo times completely. They broke the class boundary, released the personal desires, emphasized the accident in their novels.At the same time,they also tried to show the subjectivity of historical narration by different type of exploration.But the deconstruction was confined by the inherent gradation of the prior text.

Key concepts: Deconstruction (building), Narrative, Subjectivity, Mode (computer interface), Literature, Aesthetics, History, Class (philosophy)

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