Modern Chinese Poetry in the Late Qing Dynasty and the Beginning of Musicality in Poetry

The poetic reform which began with Poetic Revolution in late Qing Dynasty impacted of symbols and form of classical Chinese poetry,and so musicality of modern Chinese poetry was initiated.Musicality theory of Modern Chinese poetry firstly loosened statement mechanism of classical poetry:innovation advocating Speaking Matching Writing,conflict and blending between New Sentence and Old Style.Secondly,the reform embodied as all kinds of exploitation on musicality theories in period of Comments on Poetry in Yinbingshi including:adhering to Old Style,blending poetry musicality with Enlightenment,attempting on numbered musical notation and music-style of poetry and music-style.Thirdly,the reform embodied as the new folk song of Guangdong which is an attempt of dialect and music,an Song Poems musical practice,which had achieved musicality in modern Chinese poetry,and had produced early vernacular poetries earlier than Hu Shi's Style poetry fifteen years and met Hu's eight requirements,which were embryonic form of modern Chinese poetry.