Zhongqiang Li
Abstract
The music implication on Nanyang Stone engravings in the HAN Dynasty is an epitome of the properous music development of the era. It keeps an abundant information and representation of the art spiritual proof of the HAN Dynasty.
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The music implication on Nanyang Stone engravings in the HAN Dynasty is an epitome of the properous music development of the era. It keeps an abundant information and representation of the art spiritual proof of the HAN Dynasty.
Key concepts: Epitome, Representation (politics), Art, Visual arts, Ancient history, History, Literature, Political science