2006•Unpublished venueRequires access

The Change of Ci Poetry at the End of the Ming Dynasty and the Opportunity for the Revival of Ci Poetry in the Qing Dynasty——New Exposition on Yunjian School of Ci Poetry

Liu Yong-gang

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Abstract

By the end of the Ming Dynasty, Yunjian School of Ci poetry gained tremendous momentum, discribing one's decayed life and one's sorrow for the country's defeat and annexation, having abolished the writing styles of Ci poetry of the Ming Dynasty characterized by the worldly vulgarism and humblebess, with the tone of both being sadly moving and majestyaesthetic standards greatly heightened. Sticking to the approaches of Ci poetry of the Southern Tang Dynasty and the Northern Song Dynasty, Yunjian School inherited legendary writing techniques and brought the revival of Ci poetry in the Qing Dynasty, which can be called a turning point for the development of Ci poetry in the Ming and Qing Dynasties. Yunjian School did bring the revival of Ci poetry in the Qing Dynasty, but revivalism and dogmatism in Ci poetry also brought certain negative effects on Ci poetry development in the Qing Dynasty.

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What this paper is about

By the end of the Ming Dynasty, Yunjian School of Ci poetry gained tremendous momentum, discribing one's decayed life and one's sorrow for the country's defeat and annexation, having abolished the writing styles of Ci poetry of the Ming Dynasty characterized by the worldly vulgarism and humblebess, with the tone of both being sadly moving and majestyaesthetic standards greatly heightened. Sticking to the approaches of Ci poetry of the Southern Tang Dynasty and the Northern Song Dynasty, Yunjian School inherited legendary writing techniques and brought the revival of Ci poetry in the Qing Dynasty, which can be called a turning point for the development of Ci poetry in the Ming and Qing Dynasties. Yunjian School did bring the revival of Ci poetry in the Qing Dynasty, but revivalism and dogmatism in Ci poetry also brought certain negative effects on Ci poetry development in the Qing Dynasty.

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Available abstract

By the end of the Ming Dynasty, Yunjian School of Ci poetry gained tremendous momentum, discribing one's decayed life and one's sorrow for the country's defeat and annexation, having abolished the writing styles of Ci poetry of the Ming Dynasty characterized by the worldly vulgarism and humblebess, with the tone of both being sadly moving and majestyaesthetic standards greatly heightened. Sticking to the approaches of Ci poetry of the Southern Tang Dynasty and the Northern Song Dynasty, Yunjian School inherited legendary writing techniques and brought the revival of Ci poetry in the Qing Dynasty, which can be called a turning point for the development of Ci poetry in the Ming and Qing Dynasties. Yunjian School did bring the revival of Ci poetry in the Qing Dynasty, but revivalism and dogmatism in Ci poetry also brought certain negative effects on Ci poetry development in the Qing Dynasty.

Key concepts: Poetry, Classical Chinese poetry, Chinese poetry, Sorrow, Literature, Annexation, Exposition (narrative), History

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The Change of Ci Poetry at the End of the Ming Dynasty and the Opportunity for the Revival of Ci Poetry in the Qing Dynasty——New Exposition on Yunjian School of Ci Poetry — Research Paper | ScholarLens