Calligraphy of MAO Ze-dong
Yu Jia
Abstract
Yu Jia
Abstract
MAO Ze-dong is good at learning from traditional culture and innovating for new situations. His calligraphy embodies the essence of traditional Chinese calligraphy,but he was not combined to old rules and his former generations. He began with practicing regular script,and then turned to semi-cursive script,and focused on cursive script in his old age. He learned all the advantages of other people and made his unique style:MAO Style. His calligraphy is famous for its exquisite structures and arrangements of strokes. His scripts are particular in their peculiar sizes and connotations. His calligraphy,like his talents of military commands,poems and critical thinking,is the great spiritual treasure and cultural heritage of Chinese people.
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MAO Ze-dong is good at learning from traditional culture and innovating for new situations. His calligraphy embodies the essence of traditional Chinese calligraphy,but he was not combined to old rules and his former generations. He began with practicing regular script,and then turned to semi-cursive script,and focused on cursive script in his old age. He learned all the advantages of other people and made his unique style:MAO Style. His calligraphy is famous for its exquisite structures and arrangements of strokes. His scripts are particular in their peculiar sizes and connotations. His calligraphy,like his talents of military commands,poems and critical thinking,is the great spiritual treasure and cultural heritage of Chinese people.
Key concepts: Calligraphy, Cursive, Treasure, Style (visual arts), Scripting language, Art, Literature, Visual arts