2008Mianyang Shifan Xueyuan xuebaoRequires access

On the Two Existence Ways of Old Poetry and its Restriction on the Development of New Poetry

Liu Ji-xin

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Abstract

In the history of modern Chinese literature,Old Poetry did not die away from the world of formal literature.Old Poetry does not only exist as a cultural communication tool in people's daily life,but also as a potential criterion and aesthetic psychology,which has placed a restriction on the development of New Poetry.Particularly,the importance of New Poetry has been ignored in primary and secondary schools,which has hindered the process of the canonization of New Poetry and made the aesthetic factors of New Poetry not be integrated into national aesthetic psychology.

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In the history of modern Chinese literature,Old Poetry did not die away from the world of formal literature.Old Poetry does not only exist as a cultural communication tool in people's daily life,but also as a potential criterion and aesthetic psychology,which has placed a restriction on the development of New Poetry.Particularly,the importance of New Poetry has been ignored in primary and secondary schools,which has hindered the process of the canonization of New Poetry and made the aesthetic factors of New Poetry not be integrated into national aesthetic psychology.

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Available abstract

In the history of modern Chinese literature,Old Poetry did not die away from the world of formal literature.Old Poetry does not only exist as a cultural communication tool in people's daily life,but also as a potential criterion and aesthetic psychology,which has placed a restriction on the development of New Poetry.Particularly,the importance of New Poetry has been ignored in primary and secondary schools,which has hindered the process of the canonization of New Poetry and made the aesthetic factors of New Poetry not be integrated into national aesthetic psychology.

Key concepts: Poetry, Literature, Art, Philosophy

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