2013Journal of China University of Mining & Technology(Social Science)Requires access

Relationship of "word-image" of ancient Chinese poems in paintings

Zhang Yu-qin

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Abstract

Chinese are in close touch with Chinese poets,as far as their external forms and inherent implications are concerned.No picture would have no poetry,and no poetry would have no picture too.As an important dimension of word-image intertextuality,the link between in paintings and painting thing-in-itself presents special flavor because of different aesthetic subjects.First of all,as far as the acting on poems,paintings,as the symbol,become the resource of creating in paintings due to the uncertainty of signified.Secondly,because of the existence of beyond image projected by paintings,the creation of in paintings becomes inner initation.Finally,as for the poems acting on paintings,the most important task for in paintings was not to reappear the original intention of painting,but to restructure the regenerative significance of painting by aggressive expressiveness,which leads to the the gap of word-image in the process of imitating each other.

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Chinese are in close touch with Chinese poets,as far as their external forms and inherent implications are concerned.No picture would have no poetry,and no poetry would have no picture too.As an important dimension of word-image intertextuality,the link between in paintings and painting thing-in-itself presents special flavor because of different aesthetic subjects.First of all,as far as the acting on poems,paintings,as the symbol,become the resource of creating in paintings due to the uncertainty of signified.Secondly,because of the existence of beyond image projected by paintings,the creation of in paintings becomes inner initation.Finally,as for the poems acting on paintings,the most important task for in paintings was not to reappear the original intention of painting,but to restructure the regenerative significance of painting by aggressive expressiveness,which leads to the the gap of word-image in the process of imitating each other.

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Available abstract

Chinese are in close touch with Chinese poets,as far as their external forms and inherent implications are concerned.No picture would have no poetry,and no poetry would have no picture too.As an important dimension of word-image intertextuality,the link between in paintings and painting thing-in-itself presents special flavor because of different aesthetic subjects.First of all,as far as the acting on poems,paintings,as the symbol,become the resource of creating in paintings due to the uncertainty of signified.Secondly,because of the existence of beyond image projected by paintings,the creation of in paintings becomes inner initation.Finally,as for the poems acting on paintings,the most important task for in paintings was not to reappear the original intention of painting,but to restructure the regenerative significance of painting by aggressive expressiveness,which leads to the the gap of word-image in the process of imitating each other.

Key concepts: Painting, Poetry, Art, Metaphor, Symbol (formal), Intertextuality, Literature, Aesthetics

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