2011Journal of Central South University(Social Science)Requires access

Dufrenne's idea of artistic time and space

Hang Yin

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Abstract

Dufrenne's idea of artistic time and space is the theoretical base of the autonomy of aesthetic object,as well as the important contributing factor of quasi-subject.By elaborating the combination of the spatialisation of time and the temporalisation of space,Dufrenne gives a new idea on the existing mode and position of artistic works and aesthetical objects,and researches aesthetic object and aesthetic perception by placing them into the reversible intentional structure of esthetic perception,which realises the inter-subjectivity of the process of aesthetic experience.Furthermore,he reveals the inter-subjective affinitive relationship in the profoundess and symathique reflection.

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Dufrenne's idea of artistic time and space is the theoretical base of the autonomy of aesthetic object,as well as the important contributing factor of quasi-subject.By elaborating the combination of the spatialisation of time and the temporalisation of space,Dufrenne gives a new idea on the existing mode and position of artistic works and aesthetical objects,and researches aesthetic object and aesthetic perception by placing them into the reversible intentional structure of esthetic perception,which realises the inter-subjectivity of the process of aesthetic experience.Furthermore,he reveals the inter-subjective affinitive relationship in the profoundess and symathique reflection.

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Available abstract

Dufrenne's idea of artistic time and space is the theoretical base of the autonomy of aesthetic object,as well as the important contributing factor of quasi-subject.By elaborating the combination of the spatialisation of time and the temporalisation of space,Dufrenne gives a new idea on the existing mode and position of artistic works and aesthetical objects,and researches aesthetic object and aesthetic perception by placing them into the reversible intentional structure of esthetic perception,which realises the inter-subjectivity of the process of aesthetic experience.Furthermore,he reveals the inter-subjective affinitive relationship in the profoundess and symathique reflection.

Key concepts: Subjectivity, Object (grammar), Aesthetics, Perception, Space (punctuation), Subject (documents), Reflection (computer programming), Autonomy

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