2015Unpublished venueRequires access

An Evaluation of Li Bai's Calligraphy

Wu ShengJin

Open publisher page 0 citations

Abstract

There were many splendid masters of calligraphy in the Tang Dynasty as a result of the prosperity of calligraphy. Li Bai was affected but not confined,and then became a rare genius master in the calligraphic history. Existing calligraphic works of his,including rubbings,inscriptions,writings on stones and inscribed board,the authenticity of which to be determined,show his brushwork as myriads of changes like flying and dancing. The calligraphic structure is open,natural and unrestrained,with rhythmical application of composition,which all blend into one harmonious whole. Li Bai's calligraphic style is similar to his poetic style that were not limited by calligraphic rules of the Tang Dynasty. Being very wonderful and romantic,it brought a clear and grand wind for calligraphy in the Tang Dynasty.

About this research paper

What this paper is about

There were many splendid masters of calligraphy in the Tang Dynasty as a result of the prosperity of calligraphy. Li Bai was affected but not confined,and then became a rare genius master in the calligraphic history. Existing calligraphic works of his,including rubbings,inscriptions,writings on stones and inscribed board,the authenticity of which to be determined,show his brushwork as myriads of changes like flying and dancing. The calligraphic structure is open,natural and unrestrained,with rhythmical application of composition,which all blend into one harmonious whole. Li Bai's calligraphic style is similar to his poetic style that were not limited by calligraphic rules of the Tang Dynasty. Being very wonderful and romantic,it brought a clear and grand wind for calligraphy in the Tang Dynasty.

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

There were many splendid masters of calligraphy in the Tang Dynasty as a result of the prosperity of calligraphy. Li Bai was affected but not confined,and then became a rare genius master in the calligraphic history. Existing calligraphic works of his,including rubbings,inscriptions,writings on stones and inscribed board,the authenticity of which to be determined,show his brushwork as myriads of changes like flying and dancing. The calligraphic structure is open,natural and unrestrained,with rhythmical application of composition,which all blend into one harmonious whole. Li Bai's calligraphic style is similar to his poetic style that were not limited by calligraphic rules of the Tang Dynasty. Being very wonderful and romantic,it brought a clear and grand wind for calligraphy in the Tang Dynasty.

Key concepts: Calligraphy, Art, Inscribed figure, Style (visual arts), Romance, Prosperity, Genius, Poetry

Related papers

Back to paper searchBrowse research topicsOriginal source
An Evaluation of Li Bai's Calligraphy — Research Paper | ScholarLens