On "Elegance" in Ming Dynasty's Poetry

The major in Ming Dynasty focused on grandness rather than elegance, on poets LI Bai and DU Fu's rather than WANG Meng's, but critic HU Ying lin's theory ofelegance in poetry combines both styles of grandness and He distinguishes style elegance and content elegance. This shows a tendency that the major tries to take in non-major poetry. Another school of poets called Jingling school, whose representative is ZHONG Xing, excludes both in order to regulate the school of Gongan and correct the mistakes of the school of seven poets.