2008Neimenggu Daxue Yishu Xueyuan xuebaoRequires access

An Approach to the Relationship between the Chinese Traditional National Costumes and the Fashionable Costumes

Meng Zhou

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Abstract

Since the early 20th century,the traditional national costumes have been inextricably linked to the local fashionable costumes.Their relations and differences can be generated as harmony with the confrontation,plane and three-dimensional.Fashion costumes culture is more like a double-edged sword to the traditional national costumes.What we have to do is to properly examine our own culture,survey the age,face calmly it with a positive attitude so that the Chinese traditional costume culture and fashion costumes culture can learn from each other to achieve harmonious development.

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What this paper is about

Since the early 20th century,the traditional national costumes have been inextricably linked to the local fashionable costumes.Their relations and differences can be generated as harmony with the confrontation,plane and three-dimensional.Fashion costumes culture is more like a double-edged sword to the traditional national costumes.What we have to do is to properly examine our own culture,survey the age,face calmly it with a positive attitude so that the Chinese traditional costume culture and fashion costumes culture can learn from each other to achieve harmonious development.

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Available abstract

Since the early 20th century,the traditional national costumes have been inextricably linked to the local fashionable costumes.Their relations and differences can be generated as harmony with the confrontation,plane and three-dimensional.Fashion costumes culture is more like a double-edged sword to the traditional national costumes.What we have to do is to properly examine our own culture,survey the age,face calmly it with a positive attitude so that the Chinese traditional costume culture and fashion costumes culture can learn from each other to achieve harmonious development.

Key concepts: Harmony (color), SWORD, Aesthetics, Clothing, Art, Visual arts, Face (sociological concept), History

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