On the Structure Mode of the Pornography Description of the Novels at the End of Ming Dynasty
Cao Men
Abstract
Cao Men
Abstract
There exists a mode ofThinking and Seeking Lust,Succeeding and then Exerting Oneselfand Retributionin the pornography description of the novels at the end of Ming Dynasty. The mode adapts to the social ideological trend, namely,Rejuvenating Ancient Culture and Service for Utilitywhich is formed under the specific political situation at the end of Ming Dynasty and is closely associated with the then-scholars' ideas and concepts,social status and some specific cultural needs. The scholars at the end of Ming Dynasty were so serious aboutFeelingthat they attached great importance to Real Sentiments. In the meantime, they were so casual aboutFeelingthat they even described pornography with an attitude of appreciation. Besides, this contradictive attitude uponFeelinghas immdiate influence upon descriptive structure mode of the novel. Meanwhile, the mode is closely associated with the actual social life at that time, the writer's novel idea of utilitarianism under the influence of the re-al life, and the influence of Buddhism upon the structured thinking of the writer at that time. The pornography description of the novels at the end of Ming Dynasty not only form a structure mode in creation, but also show some theoretical self-conscious pursuit in term of some comments and non-plot factors. Through analysis and interpretation on the structure mode, it is possible to probe the regularities and theories of the development of the novel and the development of the idea.
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There exists a mode ofThinking and Seeking Lust,Succeeding and then Exerting Oneselfand Retributionin the pornography description of the novels at the end of Ming Dynasty. The mode adapts to the social ideological trend, namely,Rejuvenating Ancient Culture and Service for Utilitywhich is formed under the specific political situation at the end of Ming Dynasty and is closely associated with the then-scholars' ideas and concepts,social status and some specific cultural needs. The scholars at the end of Ming Dynasty were so serious aboutFeelingthat they attached great importance to Real Sentiments. In the meantime, they were so casual aboutFeelingthat they even described pornography with an attitude of appreciation. Besides, this contradictive attitude uponFeelinghas immdiate influence upon descriptive structure mode of the novel. Meanwhile, the mode is closely associated with the actual social life at that time, the writer's novel idea of utilitarianism under the influence of the re-al life, and the influence of Buddhism upon the structured thinking of the writer at that time. The pornography description of the novels at the end of Ming Dynasty not only form a structure mode in creation, but also show some theoretical self-conscious pursuit in term of some comments and non-plot factors. Through analysis and interpretation on the structure mode, it is possible to probe the regularities and theories of the development of the novel and the development of the idea.
Key concepts: Mode (computer interface), Casual, Pornography, Aesthetics, Ideology, Lust, Interpretation (philosophy), Literature