2014MaskaRequires access

Movements in contemporary dance?

Amelia Kraigher

Open publisher page 0 citations

Abstract

Abstract The current editorial board of Maska first raised the issue of the concerns of contemporary dance already in March 2012; almost exactly a year ago, this was followed by the first drafts for the present issue and finally by the decision that the contemporary dance issue should be addressed thoroughly and systematically. The long and highly inspiring discussions with editorial board members gradually provided the focus for our contemplation, understanding and reading of dance through social contexts. We set an ambitious task of drawing the views of contemporary dance from different perspectives: historical, educational, infrastructural, performative, curatorial, production, theoretical, conceptual, interpretational… that are rhizomatically embedded within inter-genre and international transitions. Our broadly defined topic about the movements in contemporary dance will spill over into the next issue of Maska to be published in Spring 2014.

About this research paper

What this paper is about

Abstract The current editorial board of Maska first raised the issue of the concerns of contemporary dance already in March 2012; almost exactly a year ago, this was followed by the first drafts for the present issue and finally by the decision that the contemporary dance issue should be addressed thoroughly and systematically. The long and highly inspiring discussions with editorial board members gradually provided the focus for our contemplation, understanding and reading of dance through social contexts. We set an ambitious task of drawing the views of contemporary dance from different perspectives: historical, educational, infrastructural, performative, curatorial, production, theoretical, conceptual, interpretational… that are rhizomatically embedded within inter-genre and international transitions. Our broadly defined topic about the movements in contemporary dance will spill over into the next issue of Maska to be published in Spring 2014.

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Abstract The current editorial board of Maska first raised the issue of the concerns of contemporary dance already in March 2012; almost exactly a year ago, this was followed by the first drafts for the present issue and finally by the decision that the contemporary dance issue should be addressed thoroughly and systematically. The long and highly inspiring discussions with editorial board members gradually provided the focus for our contemplation, understanding and reading of dance through social contexts. We set an ambitious task of drawing the views of contemporary dance from different perspectives: historical, educational, infrastructural, performative, curatorial, production, theoretical, conceptual, interpretational… that are rhizomatically embedded within inter-genre and international transitions. Our broadly defined topic about the movements in contemporary dance will spill over into the next issue of Maska to be published in Spring 2014.

Key concepts: Dance, Contemplation, Contemporary dance, Performative utterance, Reading (process), Aesthetics, Visual arts, Sociology

Related papers

Back to paper searchBrowse research topicsOriginal source
Movements in contemporary dance? — Research Paper | ScholarLens