1966PMLA/Publications of the Modern Language Association of AmericaRequires access

The Literary Character of Anglo-Saxon Formulaic Poetry

Larry D. Benson

Open publisher page 108 citations

Abstract

Perhaps the most fruitful and exciting development in Old English studies in recent years has followed from F. P. Magoun's discovery that the Parry-Lord theory of oral verse-making can be applied to Old English poetry. This theory has caught the imagination of critics and has produced a “kind of revolution in scholarly opinion” not simply because it shows us that the style of this poetry is traditional—that has been known for many years—but because it offers a new and useful way of approaching the problems raised by this style, because it provides a new way of considering some of the relations between these poems, and because it casts light on an area that we thought was forever darkened, the pre-literary history of Germanic and Old English verse.

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What this paper is about

Perhaps the most fruitful and exciting development in Old English studies in recent years has followed from F. P. Magoun's discovery that the Parry-Lord theory of oral verse-making can be applied to Old English poetry. This theory has caught the imagination of critics and has produced a “kind of revolution in scholarly opinion” not simply because it shows us that the style of this poetry is traditional—that has been known for many years—but because it offers a new and useful way of approaching the problems raised by this style, because it provides a new way of considering some of the relations between these poems, and because it casts light on an area that we thought was forever darkened, the pre-literary history of Germanic and Old English verse.

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Available abstract

Perhaps the most fruitful and exciting development in Old English studies in recent years has followed from F. P. Magoun's discovery that the Parry-Lord theory of oral verse-making can be applied to Old English poetry. This theory has caught the imagination of critics and has produced a “kind of revolution in scholarly opinion” not simply because it shows us that the style of this poetry is traditional—that has been known for many years—but because it offers a new and useful way of approaching the problems raised by this style, because it provides a new way of considering some of the relations between these poems, and because it casts light on an area that we thought was forever darkened, the pre-literary history of Germanic and Old English verse.

Key concepts: Poetry, Literature, Character (mathematics), PARRY, Old English, Style (visual arts), Old Norse, Metre

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