1995Unpublished venueRequires access

The History of the Perfect Aspect Ratio

Mark Schubin

Open publisher page 1 citations

Abstract

A debate is currently taking place over the appropriate aspect ratio for advanced television displays. Any selected aspect ratio is inherently incompatible with any other and will require the use of some form of accommodation technique. The derivation of the 16:9 (1.78:1) aspect ratio from accommodation techniques and display modes is explained. The relationship between aspect ratio and display memory is also explained. Research into the history of aspect ratios indicates that the 1.78:1 aspect ratio was adopted by the standards committee of the Society of Motion Picture Engineers in 1930. It also indicates that the factors that may have led to widescreen motion picture systems may no longer be applicable. The research for this paper found no clear indication of a preference for any particular aspect ratio for moving images nor any physiological reason to favor one over another. The research did show that cinematographers have not always favored a particular aspect ratio.

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A debate is currently taking place over the appropriate aspect ratio for advanced television displays. Any selected aspect ratio is inherently incompatible with any other and will require the use of some form of accommodation technique. The derivation of the 16:9 (1.78:1) aspect ratio from accommodation techniques and display modes is explained. The relationship between aspect ratio and display memory is also explained. Research into the history of aspect ratios indicates that the 1.78:1 aspect ratio was adopted by the standards committee of the Society of Motion Picture Engineers in 1930. It also indicates that the factors that may have led to widescreen motion picture systems may no longer be applicable. The research for this paper found no clear indication of a preference for any particular aspect ratio for moving images nor any physiological reason to favor one over another. The research did show that cinematographers have not always favored a particular aspect ratio.

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Available abstract

A debate is currently taking place over the appropriate aspect ratio for advanced television displays. Any selected aspect ratio is inherently incompatible with any other and will require the use of some form of accommodation technique. The derivation of the 16:9 (1.78:1) aspect ratio from accommodation techniques and display modes is explained. The relationship between aspect ratio and display memory is also explained. Research into the history of aspect ratios indicates that the 1.78:1 aspect ratio was adopted by the standards committee of the Society of Motion Picture Engineers in 1930. It also indicates that the factors that may have led to widescreen motion picture systems may no longer be applicable. The research for this paper found no clear indication of a preference for any particular aspect ratio for moving images nor any physiological reason to favor one over another. The research did show that cinematographers have not always favored a particular aspect ratio.

Key concepts: Aspect ratio (aeronautics), Accommodation, Aspect-oriented programming, Contrast ratio, Computer science, Motion (physics), Preference, Mathematics

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