2004Zeitschrift für KunstgeschichteRequires access

Altarpieces and Contracts: The Marble High Altarpiece for S. Francesco, Bologna (1388-1392)

Helen Geddes

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Abstract

Legal documents relating to the commission for the marble high altarpiece for the church of S. Francesco in Bologna, Italy, realized by Venetian sculptors Pierpaolo and Jacobello dalle Masegne between 1388 and 1392, offer detailed insight into the procedure of the commissioning process. The writer outlines the contents of these documents, explores their implications for altarpiece studies, and outlines the nature of complaints by the patrons. She also considers some aspects not addressed in the legal documents, such as the reasons behind the selection of particular images and the motivations of the patron.

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What this paper is about

Legal documents relating to the commission for the marble high altarpiece for the church of S. Francesco in Bologna, Italy, realized by Venetian sculptors Pierpaolo and Jacobello dalle Masegne between 1388 and 1392, offer detailed insight into the procedure of the commissioning process. The writer outlines the contents of these documents, explores their implications for altarpiece studies, and outlines the nature of complaints by the patrons. She also considers some aspects not addressed in the legal documents, such as the reasons behind the selection of particular images and the motivations of the patron.

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Available abstract

Legal documents relating to the commission for the marble high altarpiece for the church of S. Francesco in Bologna, Italy, realized by Venetian sculptors Pierpaolo and Jacobello dalle Masegne between 1388 and 1392, offer detailed insight into the procedure of the commissioning process. The writer outlines the contents of these documents, explores their implications for altarpiece studies, and outlines the nature of complaints by the patrons. She also considers some aspects not addressed in the legal documents, such as the reasons behind the selection of particular images and the motivations of the patron.

Key concepts: Altarpiece, Art, Art history, Van Dyke beard, Painting

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Altarpieces and Contracts: The Marble High Altarpiece for S. Francesco, Bologna (1388-1392) — Research Paper | ScholarLens