2011Unpublished venueRequires access

Improvisational movement practice

Vida L. Midgelow

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Abstract

This blog is a document of my Practice as Research Project that is configured as a regular 'date with (my omprovisation) practice...' These studio and written 'dates' will be documented in posts that will accumulate (as is the nature of improvisation training) through time to reveal the development of a Nomadic Improvisation Dance Practice. This project seeks to address the following questions: - What are the features of a Nomadic Improvisation Practice? - What improvisational tasks and scores enable an embodied experience of nomadism? - How might these features and embodiments be articulated in image and text? This research builds up an ongoing project exploring the ontologies and articulation of dance improvisation, and specifically from a dialogue entitled 'Dear Practice..', a series a of (imaginary) letters between myself and my practice (see Trace: Improvisation in a box, Artfully Bound Publishers)

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What this paper is about

This blog is a document of my Practice as Research Project that is configured as a regular 'date with (my omprovisation) practice...' These studio and written 'dates' will be documented in posts that will accumulate (as is the nature of improvisation training) through time to reveal the development of a Nomadic Improvisation Dance Practice. This project seeks to address the following questions: - What are the features of a Nomadic Improvisation Practice? - What improvisational tasks and scores enable an embodied experience of nomadism? - How might these features and embodiments be articulated in image and text? This research builds up an ongoing project exploring the ontologies and articulation of dance improvisation, and specifically from a dialogue entitled 'Dear Practice..', a series a of (imaginary) letters between myself and my practice (see Trace: Improvisation in a box, Artfully Bound Publishers)

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Available abstract

This blog is a document of my Practice as Research Project that is configured as a regular 'date with (my omprovisation) practice...' These studio and written 'dates' will be documented in posts that will accumulate (as is the nature of improvisation training) through time to reveal the development of a Nomadic Improvisation Dance Practice. This project seeks to address the following questions: - What are the features of a Nomadic Improvisation Practice? - What improvisational tasks and scores enable an embodied experience of nomadism? - How might these features and embodiments be articulated in image and text? This research builds up an ongoing project exploring the ontologies and articulation of dance improvisation, and specifically from a dialogue entitled 'Dear Practice..', a series a of (imaginary) letters between myself and my practice (see Trace: Improvisation in a box, Artfully Bound Publishers)

Key concepts: Improvisation, Dance, Movement (music), Choreography, Articulation (sociology), TRACE (psycholinguistics), Visual arts, Dance improvisation

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