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The Bonnefanten Museum, Maastricht.

Wil Munsters

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Abstract

A case study on the Bonnefanten Museum in Maastricht, Netherlands is presented. The analysis of the visitor market was carried out through a survey of 388 museum visitors between the last week of April and the first week of May 1997. The steps toward a new marketing policy are discussed and issues such as the tensions between, the museum as a cultural enterprise, between museum and event, and between elite and popular art discussed. It concludes that the museum faces the dilemma with which all museums are confronted in positioning between 2 extremes: splendid isolation in an ivory tower versus opening the gates for the cultural entertainment of the masses.

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What this paper is about

A case study on the Bonnefanten Museum in Maastricht, Netherlands is presented. The analysis of the visitor market was carried out through a survey of 388 museum visitors between the last week of April and the first week of May 1997. The steps toward a new marketing policy are discussed and issues such as the tensions between, the museum as a cultural enterprise, between museum and event, and between elite and popular art discussed. It concludes that the museum faces the dilemma with which all museums are confronted in positioning between 2 extremes: splendid isolation in an ivory tower versus opening the gates for the cultural entertainment of the masses.

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Available abstract

A case study on the Bonnefanten Museum in Maastricht, Netherlands is presented. The analysis of the visitor market was carried out through a survey of 388 museum visitors between the last week of April and the first week of May 1997. The steps toward a new marketing policy are discussed and issues such as the tensions between, the museum as a cultural enterprise, between museum and event, and between elite and popular art discussed. It concludes that the museum faces the dilemma with which all museums are confronted in positioning between 2 extremes: splendid isolation in an ivory tower versus opening the gates for the cultural entertainment of the masses.

Key concepts: Visitor pattern, Entertainment, Elite, Visual arts, Dilemma, National museum, History, Media studies

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