The Terracotta revival
Michael Stratton
Abstract
Michael Stratton
Abstract
This history of the revival of terracotta in Victorian architecture in Britain provides detailed information on manufacturers and suppliers materials, color, forms and patterns; styles (mainly Gothic and Renaissance revivals); artists and their training at art schools, especially South Kensington (now the Royal College of Art, London); architects and architectural firms and their use of terracotta or faience; and the collaboration that developed out of the South Kensington ideology among architects, decorative artists, and the terracotta industry, lasting into the 20th century.
OpenAlex reports 3 citations for this work. Citation counts describe recorded attention and do not establish research quality.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
This history of the revival of terracotta in Victorian architecture in Britain provides detailed information on manufacturers and suppliers materials, color, forms and patterns; styles (mainly Gothic and Renaissance revivals); artists and their training at art schools, especially South Kensington (now the Royal College of Art, London); architects and architectural firms and their use of terracotta or faience; and the collaboration that developed out of the South Kensington ideology among architects, decorative artists, and the terracotta industry, lasting into the 20th century.
Key concepts: Terracotta, The Renaissance, Architecture, Art, Visual arts, Art history