戒嚴時期(1949-1987)國、台語流行歌曲歌詞意涵的比較
郭詠茹
Abstract
郭詠茹
Abstract
Creation purpose pop and traditional songs difference is that traditional songs focusing on myself and others, and pop music based on commercial sex. But also because of the commercial mass media pop convenience of easy popular in the country, so the lyrics text is also easy to convey directly or when people 's emotions . With the change backgrounds from different years , Taiwanese pop songs followed to create a mainstream and characteristics of that era , sung generation after generation , lyrics sung seems the best way to history , the use of words to express the emotional lyrics , or let future generations discovered that most people from the true feelings and experiences. Taiwan is a multi- ethnic country , thus creating a multi-language pop music , this paper is Mandarin, Taiwanese pop as research based , Hakka and aboriginal languages due to sampling is less popular songs , it is not included in the study. In addition , there is a special period of political intervention , is from 1949 until 1987, 38 years of martial law , martial law ban songs policies , compression of the songs change practices and policies for escape lyrics on let the country , Taiwanese pop songs, showing a different style and popular orientation , in such a special background influence , making the country , with very different development on Taiwanese pop songs , but also to the country , the Taiwanese pop music where the lyrics have a different meaning , therefore , to compare the lyrics of the theme is the author of this thesis. State martial law period , Taiwanese pop songs, in the same era , resulting in vision different angles to reflect the era politics , life , emotions. This paper would like to study the country , how the same Taiwanese pop era , the use of different words to analyze the lyrics of martial law , Taiwan pop music with people on an emotional link with the then popular song to sense and reason .
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Creation purpose pop and traditional songs difference is that traditional songs focusing on myself and others, and pop music based on commercial sex. But also because of the commercial mass media pop convenience of easy popular in the country, so the lyrics text is also easy to convey directly or when people 's emotions . With the change backgrounds from different years , Taiwanese pop songs followed to create a mainstream and characteristics of that era , sung generation after generation , lyrics sung seems the best way to history , the use of words to express the emotional lyrics , or let future generations discovered that most people from the true feelings and experiences. Taiwan is a multi- ethnic country , thus creating a multi-language pop music , this paper is Mandarin, Taiwanese pop as research based , Hakka and aboriginal languages due to sampling is less popular songs , it is not included in the study. In addition , there is a special period of political intervention , is from 1949 until 1987, 38 years of martial law , martial law ban songs policies , compression of the songs change practices and policies for escape lyrics on let the country , Taiwanese pop songs, showing a different style and popular orientation , in such a special background influence , making the country , with very different development on Taiwanese pop songs , but also to the country , the Taiwanese pop music where the lyrics have a different meaning , therefore , to compare the lyrics of the theme is the author of this thesis. State martial law period , Taiwanese pop songs, in the same era , resulting in vision different angles to reflect the era politics , life , emotions. This paper would like to study the country , how the same Taiwanese pop era , the use of different words to analyze the lyrics of martial law , Taiwan pop music with people on an emotional link with the then popular song to sense and reason .
Key concepts: Lyrics, Popular music, Mainstream, Popular culture, Meaning (existential), Literature, Advertising, History