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Design and Production of Textile Mural: Combination of Computer Aided Programmes and Conventional Methods, An Alternative Innovative Approach

William Badoe, Benjamin Mensah, Vordoagu Benno Koku

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Abstract

This novel textile mural production technique involves combination of digital printed fabric on flex sheet in conjunction with conventional appliqué and embroidery techniques. It was art-based studio research design that made use of exploration and experimental methods in the execution of four murals with different scenery. The works depict various activities within the Textiles section programme, Faculty of Art, College of Art and Built Environment, KNUST as a case study with the intent to promote and educate the populace. The activities were arranged into different scenery out of which four were selected for production. Step-by-step universal design methodology was carefully followed to ensure precision and easy reproduction of the murals. Flex sheet was used as substrate for the print out of the final works on which dyed, printed and woven fabrics were fixed to complete the sceneries. Wooden frames and transparent polyethylene rubber were used for the finishing of the works for them to be able to withstand harsh weather condition in order for them to be suitable for both out-door and in-door purposes. Background lighting system was installed within the frame to enhance their aesthetic appeal. This work was set to address the cumbersome, tedious, time consuming processes involve in conventional production of textile mural; cutting of pieces of textile materials and fixing them onto a substrate by applique and embroidery techniques. The importance of this alternative method is that it takes care of all the

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This novel textile mural production technique involves combination of digital printed fabric on flex sheet in conjunction with conventional appliqué and embroidery techniques. It was art-based studio research design that made use of exploration and experimental methods in the execution of four murals with different scenery. The works depict various activities within the Textiles section programme, Faculty of Art, College of Art and Built Environment, KNUST as a case study with the intent to promote and educate the populace. The activities were arranged into different scenery out of which four were selected for production. Step-by-step universal design methodology was carefully followed to ensure precision and easy reproduction of the murals. Flex sheet was used as substrate for the print out of the final works on which dyed, printed and woven fabrics were fixed to complete the sceneries. Wooden frames and transparent polyethylene rubber were used for the finishing of the works for them to be able to withstand harsh weather condition in order for them to be suitable for both out-door and in-door purposes. Background lighting system was installed within the frame to enhance their aesthetic appeal. This work was set to address the cumbersome, tedious, time consuming processes involve in conventional production of textile mural; cutting of pieces of textile materials and fixing them onto a substrate by applique and embroidery techniques. The importance of this alternative method is that it takes care of all the

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Available abstract

This novel textile mural production technique involves combination of digital printed fabric on flex sheet in conjunction with conventional appliqué and embroidery techniques. It was art-based studio research design that made use of exploration and experimental methods in the execution of four murals with different scenery. The works depict various activities within the Textiles section programme, Faculty of Art, College of Art and Built Environment, KNUST as a case study with the intent to promote and educate the populace. The activities were arranged into different scenery out of which four were selected for production. Step-by-step universal design methodology was carefully followed to ensure precision and easy reproduction of the murals. Flex sheet was used as substrate for the print out of the final works on which dyed, printed and woven fabrics were fixed to complete the sceneries. Wooden frames and transparent polyethylene rubber were used for the finishing of the works for them to be able to withstand harsh weather condition in order for them to be suitable for both out-door and in-door purposes. Background lighting system was installed within the frame to enhance their aesthetic appeal. This work was set to address the cumbersome, tedious, time consuming processes involve in conventional production of textile mural; cutting of pieces of textile materials and fixing them onto a substrate by applique and embroidery techniques. The importance of this alternative method is that it takes care of all the

Key concepts: Textile, Mural, Textile design, Computer science, Weaving, Production (economics), Visual arts, Engineering drawing

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