2012•Burlington magazine/˜The œBurlington magazineRequires access

A 'gentiluomo da Ca' Barbarigo' by Titian in the National Gallery, London

A. Mazzotta

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Abstract

The author discusses the possibility that the painting Portrait of a man, by Titian and part of the collection of the National Gallery, London, England, is the painting described by 16th-century art historian Giorgio Vasari as gentiluomo da Ca' The author traces the provenance of the painting and suggests that it depicts Gerolamo Barbarigo. Also discussed is the looking over the shoulder portrait type.

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What this paper is about

The author discusses the possibility that the painting Portrait of a man, by Titian and part of the collection of the National Gallery, London, England, is the painting described by 16th-century art historian Giorgio Vasari as gentiluomo da Ca' The author traces the provenance of the painting and suggests that it depicts Gerolamo Barbarigo. Also discussed is the looking over the shoulder portrait type.

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Available abstract

The author discusses the possibility that the painting Portrait of a man, by Titian and part of the collection of the National Gallery, London, England, is the painting described by 16th-century art historian Giorgio Vasari as gentiluomo da Ca' The author traces the provenance of the painting and suggests that it depicts Gerolamo Barbarigo. Also discussed is the looking over the shoulder portrait type.

Key concepts: Portrait, Painting, Art, Art history, Visual arts

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A 'gentiluomo da Ca' Barbarigo' by Titian in the National Gallery, London — Research Paper | ScholarLens