2014Unpublished venueRequires access

Coleridge and "Slavery's Spectres"

Monirul Islam

Open publisher page 1 citations

Abstract

The issue of slavery and the slave trade was a burning topic during the Romantic period. The ebb and flow of the anti-slavery movement strangely followed the time line of the Romantic period in Britain. It started in late 1780s and officially ended with the 1833 act abolishing slavery. Most of the Romantic poets were radicals and they became part of the anti-slavery campaign and the discourse of slavery became an important part of their poetry. Coleridge started his poetic career with a prize winning Greek ode on slavery and joined the anti-slavery campaign in the last decade of the eighteenth century; wrote against slavery and opposed the racial formations of the time. However, towards the end of his career his attitude to race and slavery underwent a big transformation. The paper aims to trace Coleridge’s evolution from an Anti-slavery advocate to a reluctant apologist for racism and slavery.

About this research paper

What this paper is about

The issue of slavery and the slave trade was a burning topic during the Romantic period. The ebb and flow of the anti-slavery movement strangely followed the time line of the Romantic period in Britain. It started in late 1780s and officially ended with the 1833 act abolishing slavery. Most of the Romantic poets were radicals and they became part of the anti-slavery campaign and the discourse of slavery became an important part of their poetry. Coleridge started his poetic career with a prize winning Greek ode on slavery and joined the anti-slavery campaign in the last decade of the eighteenth century; wrote against slavery and opposed the racial formations of the time. However, towards the end of his career his attitude to race and slavery underwent a big transformation. The paper aims to trace Coleridge’s evolution from an Anti-slavery advocate to a reluctant apologist for racism and slavery.

Why it matters

OpenAlex reports 1 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

The issue of slavery and the slave trade was a burning topic during the Romantic period. The ebb and flow of the anti-slavery movement strangely followed the time line of the Romantic period in Britain. It started in late 1780s and officially ended with the 1833 act abolishing slavery. Most of the Romantic poets were radicals and they became part of the anti-slavery campaign and the discourse of slavery became an important part of their poetry. Coleridge started his poetic career with a prize winning Greek ode on slavery and joined the anti-slavery campaign in the last decade of the eighteenth century; wrote against slavery and opposed the racial formations of the time. However, towards the end of his career his attitude to race and slavery underwent a big transformation. The paper aims to trace Coleridge’s evolution from an Anti-slavery advocate to a reluctant apologist for racism and slavery.

Key concepts: Romance, Poetry, Period (music), Romanticism, Literature, Racism, TRACE (psycholinguistics), History

Related papers

Back to paper searchBrowse research topicsOriginal source
Coleridge and "Slavery's Spectres" — Research Paper | ScholarLens