2019•K@taOpen access

The Homeland of Stereotypes

Hossein Keramatfar

Open full text 1 citations

Abstract

Following the vigorous critique of orientalism, orientalist discourse had employed complex strategies to create ambivalent non-Western stereotypes. The earlier fixed oriental characters were often discarded; they were instead accorded certain amounts of flexibility. However, the fact was that despite such changes and these less negative images, orientalist discourse continued producing the Oriental other to perpetuate Western domination. In fact, it simply drew upon old repertoire of stereotypes, recycled them, and produced new ones; only care was taken that they did not sound as markedly negative as the old ones. The present paper sought to investigate how the American TV series Homeland (2011-) repeated the imperialist claims of the orientalist discourse by presenting a range of oriental character types, from the classic Muslim terrorist to some less negative characters. It employed “Negative formulas” to produce more ambivalent stereotypes to reinforce the alleged essential superiority of America. The series staged the character of the captive mind as the ideal oriental type to be imitated by all Orientals. The paper also demonstrated that how Homeland employed the orientalist theme of nativization, again only to prove the eventual un-contaminability and superiority of the West. Islam and Iran were the particular targets of Homeland’s stereotyping.

About this research paper

What this paper is about

Following the vigorous critique of orientalism, orientalist discourse had employed complex strategies to create ambivalent non-Western stereotypes. The earlier fixed oriental characters were often discarded; they were instead accorded certain amounts of flexibility. However, the fact was that despite such changes and these less negative images, orientalist discourse continued producing the Oriental other to perpetuate Western domination. In fact, it simply drew upon old repertoire of stereotypes, recycled them, and produced new ones; only care was taken that they did not sound as markedly negative as the old ones. The present paper sought to investigate how the American TV series Homeland (2011-) repeated the imperialist claims of the orientalist discourse by presenting a range of oriental character types, from the classic Muslim terrorist to some less negative characters. It employed “Negative formulas” to produce more ambivalent stereotypes to reinforce the alleged essential superiority of America. The series staged the character of the captive mind as the ideal oriental type to be imitated by all Orientals. The paper also demonstrated that how Homeland employed the orientalist theme of nativization, again only to prove the eventual un-contaminability and superiority of the West. Islam and Iran were the particular targets of Homeland’s stereotyping.

Why it matters

OpenAlex reports 1 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Following the vigorous critique of orientalism, orientalist discourse had employed complex strategies to create ambivalent non-Western stereotypes. The earlier fixed oriental characters were often discarded; they were instead accorded certain amounts of flexibility. However, the fact was that despite such changes and these less negative images, orientalist discourse continued producing the Oriental other to perpetuate Western domination. In fact, it simply drew upon old repertoire of stereotypes, recycled them, and produced new ones; only care was taken that they did not sound as markedly negative as the old ones. The present paper sought to investigate how the American TV series Homeland (2011-) repeated the imperialist claims of the orientalist discourse by presenting a range of oriental character types, from the classic Muslim terrorist to some less negative characters. It employed “Negative formulas” to produce more ambivalent stereotypes to reinforce the alleged essential superiority of America. The series staged the character of the captive mind as the ideal oriental type to be imitated by all Orientals. The paper also demonstrated that how Homeland employed the orientalist theme of nativization, again only to prove the eventual un-contaminability and superiority of the West. Islam and Iran were the particular targets of Homeland’s stereotyping.

Key concepts: Orientalism, Homeland, Character (mathematics), Ambivalence, Theme (computing), History, Islam, Terrorism

Related papers

Back to paper searchBrowse research topicsOriginal source
The Homeland of Stereotypes — Research Paper | ScholarLens