1994The Journal of the Acoustical Society of AmericaRequires access

The pitch of short-duration vibrato tones

Christophe d’Alessandro, Michèle Castellengo

Open publisher page 55 citations

Abstract

The pitch perceived for short vocal vibrato tones was measured using a method of adjustment. The stimuli were synthetic vocal tones, produced by a formant synthesizer. The main parameter under study was the tone duration, as a function of the fractional number of vibrato cycles. This parameter was examined in relation to (1) the vibrato extent (0, 50, 100, and 200 cents); (2) the vibrato rate (4, 6, and 8 Hz); (3) the tone nominal frequency (220, 440, 880, and 1500 Hz). Durations ranging from 1/2 cycle to 2 cycles were studied. Our results showed that for short tones, the pitch perceived does correspond to a weighted time average of the F0 pattern. A separate perception took place for the high and low parts of the vibrato cycles, for large vibrato extents or slow vibrato rates. This phenomenon was related consistently with the glissando threshold. A simple numerical model of weighted time averaging with threshold was proposed. It demonstrated a good agreement with our experimental data. Finally, the experimental results obtained, and the model proposed, were able to explain the musical perception of complex F0 patterns, like those present in actual singing.

About this research paper

What this paper is about

The pitch perceived for short vocal vibrato tones was measured using a method of adjustment. The stimuli were synthetic vocal tones, produced by a formant synthesizer. The main parameter under study was the tone duration, as a function of the fractional number of vibrato cycles. This parameter was examined in relation to (1) the vibrato extent (0, 50, 100, and 200 cents); (2) the vibrato rate (4, 6, and 8 Hz); (3) the tone nominal frequency (220, 440, 880, and 1500 Hz). Durations ranging from 1/2 cycle to 2 cycles were studied. Our results showed that for short tones, the pitch perceived does correspond to a weighted time average of the F0 pattern. A separate perception took place for the high and low parts of the vibrato cycles, for large vibrato extents or slow vibrato rates. This phenomenon was related consistently with the glissando threshold. A simple numerical model of weighted time averaging with threshold was proposed. It demonstrated a good agreement with our experimental data. Finally, the experimental results obtained, and the model proposed, were able to explain the musical perception of complex F0 patterns, like those present in actual singing.

Why it matters

OpenAlex reports 55 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

The pitch perceived for short vocal vibrato tones was measured using a method of adjustment. The stimuli were synthetic vocal tones, produced by a formant synthesizer. The main parameter under study was the tone duration, as a function of the fractional number of vibrato cycles. This parameter was examined in relation to (1) the vibrato extent (0, 50, 100, and 200 cents); (2) the vibrato rate (4, 6, and 8 Hz); (3) the tone nominal frequency (220, 440, 880, and 1500 Hz). Durations ranging from 1/2 cycle to 2 cycles were studied. Our results showed that for short tones, the pitch perceived does correspond to a weighted time average of the F0 pattern. A separate perception took place for the high and low parts of the vibrato cycles, for large vibrato extents or slow vibrato rates. This phenomenon was related consistently with the glissando threshold. A simple numerical model of weighted time averaging with threshold was proposed. It demonstrated a good agreement with our experimental data. Finally, the experimental results obtained, and the model proposed, were able to explain the musical perception of complex F0 patterns, like those present in actual singing.

Key concepts: Vibrato, Musical tone, Duration (music), Mathematics, Formant, Acoustics, Tone (literature), Audiology

Related papers

Back to paper searchBrowse research topicsOriginal source
The pitch of short-duration vibrato tones — Research Paper | ScholarLens