2002•Journal of New Music ResearchOpen access

Improvising With Computers: A Personal Survey (1989?2001)

Sergi Jordà

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Abstract

This paper exposes some topics and questions about music improvisation using computers that the author has considered during more than a decade of experience as a performer, composer, software designer and educator. After a quick review of several of his previous interactive music systems, some of those issues are then confronted in FMOL, a program initially designed as a tool for on-line collaborative composition that has been used by hundreds of on-line composers, and which is also being employed by the author in free-form audiovisual improvisation concerts.

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What this paper is about

This paper exposes some topics and questions about music improvisation using computers that the author has considered during more than a decade of experience as a performer, composer, software designer and educator. After a quick review of several of his previous interactive music systems, some of those issues are then confronted in FMOL, a program initially designed as a tool for on-line collaborative composition that has been used by hundreds of on-line composers, and which is also being employed by the author in free-form audiovisual improvisation concerts.

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Available abstract

This paper exposes some topics and questions about music improvisation using computers that the author has considered during more than a decade of experience as a performer, composer, software designer and educator. After a quick review of several of his previous interactive music systems, some of those issues are then confronted in FMOL, a program initially designed as a tool for on-line collaborative composition that has been used by hundreds of on-line composers, and which is also being employed by the author in free-form audiovisual improvisation concerts.

Key concepts: Improvisation, Performing arts, Computer science, Line (geometry), Composition (language), Multimedia, Computer music, Software

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