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‘This is not a Rebel Song’: The Irish Conflict and Popular Music

Bill Rolston

Open publisher page 36 citations

Abstract

The article examines how different genres of popular music - rock, pop, punk, folk, reggae and rap - have tackled the issue of the Northern Ireland conflict. The conclusion is that the relatively small number of songs about such a protracted conflict, along with the superficial treatment of the subject in a number of songs, would seem to confirm the impression that popular music is quite inept when it comes to such major political themes.

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What this paper is about

The article examines how different genres of popular music - rock, pop, punk, folk, reggae and rap - have tackled the issue of the Northern Ireland conflict. The conclusion is that the relatively small number of songs about such a protracted conflict, along with the superficial treatment of the subject in a number of songs, would seem to confirm the impression that popular music is quite inept when it comes to such major political themes.

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OpenAlex reports 36 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

The article examines how different genres of popular music - rock, pop, punk, folk, reggae and rap - have tackled the issue of the Northern Ireland conflict. The conclusion is that the relatively small number of songs about such a protracted conflict, along with the superficial treatment of the subject in a number of songs, would seem to confirm the impression that popular music is quite inept when it comes to such major political themes.

Key concepts: Popular music, Punk, Irish, Popular media, Politics, Subject (documents), Aesthetics, Literature

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