‘This is not a Rebel Song’: The Irish Conflict and Popular Music
Bill Rolston
Abstract
Bill Rolston
Abstract
The article examines how different genres of popular music - rock, pop, punk, folk, reggae and rap - have tackled the issue of the Northern Ireland conflict. The conclusion is that the relatively small number of songs about such a protracted conflict, along with the superficial treatment of the subject in a number of songs, would seem to confirm the impression that popular music is quite inept when it comes to such major political themes.
OpenAlex reports 36 citations for this work. Citation counts describe recorded attention and do not establish research quality.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
The article examines how different genres of popular music - rock, pop, punk, folk, reggae and rap - have tackled the issue of the Northern Ireland conflict. The conclusion is that the relatively small number of songs about such a protracted conflict, along with the superficial treatment of the subject in a number of songs, would seem to confirm the impression that popular music is quite inept when it comes to such major political themes.
Key concepts: Popular music, Punk, Irish, Popular media, Politics, Subject (documents), Aesthetics, Literature