Constructing Interiority in Eighteenth‐Century Narrative Fiction: Wieland'sGeschichte des Agathon
Lorna Martens
Abstract
Lorna Martens
Abstract
Christoph Martin Wieland enjoys a solid reputation as an innovator in the history of the German novel. Scholars have credited him with introducing the Cervantes‐Fielding style with its personal narrator into German narrative. HisGeschichte des Agathonhas often been called the firstBildungsroman. But he innovated in another way as well: by developing narrative techniques for constructing interiority. This article shows that inAgathon, Wieland employs a palette of techniques to display his character's imaginative sensibility, to reveal the contents of his mind, and above all, to show the spectrum of his changing passions. Reflecting the rise of psychology in eighteenth‐century Germany, the psychological theory underlyingAgathonis up to date. Wieland's achievement is to combine existing techniques and invent new techniques for building this psychological theory into the construction of character, and moreover in the context of a narrator‐dominated third‐person novel, where it is least to be expected.
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Christoph Martin Wieland enjoys a solid reputation as an innovator in the history of the German novel. Scholars have credited him with introducing the Cervantes‐Fielding style with its personal narrator into German narrative. HisGeschichte des Agathonhas often been called the firstBildungsroman. But he innovated in another way as well: by developing narrative techniques for constructing interiority. This article shows that inAgathon, Wieland employs a palette of techniques to display his character's imaginative sensibility, to reveal the contents of his mind, and above all, to show the spectrum of his changing passions. Reflecting the rise of psychology in eighteenth‐century Germany, the psychological theory underlyingAgathonis up to date. Wieland's achievement is to combine existing techniques and invent new techniques for building this psychological theory into the construction of character, and moreover in the context of a narrator‐dominated third‐person novel, where it is least to be expected.
Key concepts: Passions, Narrative, German literature, German, Character (mathematics), Sensibility, Literature, Context (archaeology)