2001International Journal of Music EducationRequires access

Individual: Community: Nation a Case Study in Maasai Music and Kenyan Education

Malcolm Floyd

Open publisher page 5 citations

Abstract

This article explores how Maasai cultural practices could be applied to the goal Kenya has long held of developing a sense of nation among its diverse peoples. It sets the context for education for post-independence Africa and examines patterns of development in Kenyan education from 1964 to 1992. Maasai practices-in-culture, or enculturative processes, are explored, with the suggestion that these provide some solutions to problems in Kenyan education, and experiments with reifying this through music.

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What this paper is about

This article explores how Maasai cultural practices could be applied to the goal Kenya has long held of developing a sense of nation among its diverse peoples. It sets the context for education for post-independence Africa and examines patterns of development in Kenyan education from 1964 to 1992. Maasai practices-in-culture, or enculturative processes, are explored, with the suggestion that these provide some solutions to problems in Kenyan education, and experiments with reifying this through music.

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OpenAlex reports 5 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

This article explores how Maasai cultural practices could be applied to the goal Kenya has long held of developing a sense of nation among its diverse peoples. It sets the context for education for post-independence Africa and examines patterns of development in Kenyan education from 1964 to 1992. Maasai practices-in-culture, or enculturative processes, are explored, with the suggestion that these provide some solutions to problems in Kenyan education, and experiments with reifying this through music.

Key concepts: Maasai, Kenya, Independence (probability theory), Context (archaeology), Sociology, Pedagogy, Geography, Political science

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